#313 Christopher Nolan

What I learned from reading The Nolan Variations: The Movies, Mysteries, and Marvels of Christopher Nolan by Tom Shone. --- Join my free email newsletter to get my top 10 highlights from every book --- (7:00) The only way I know how to work is to sort of burrow in on one project very obsessively. (7:25) People will say to me, "There are people online who are obsessed with Inception or obsessed with Memento.” They're asking me to comment on that, as if I thought it were weird or something, and I'm like, Well, I was obsessed with it for years. Genuinely obsessed with it. So it doesn't strike me as weird. . . I feel like I have managed to wrap them the up in it way I try to wrap myself up. (8:30) The Futurist: The Life and Films of James Cameron by Rebecca Keegan and The Return of James Cameron, Box Office King by Zach Baron. (Founders #311) (11:00) I don’t think of myself as an artist. I’m a craftsman. I don’t make a work of art; I make a movie. — George Lucas: A Life by Brian Jay Jones.  (15:30) Steven Spielberg: A Biography by Joseph McBride. (Founders #209) (22:45) Nolan is relentlessly resourceful. He wants to spend as as little money as possible so he can maintain as much control over the project as possible. (23:30) He makes his first movie on the weekends while he working a full-time job! (29:30) The efficiency of filmmaking is for me a way of keeping control. The pressure of time, the pressure of money. Even though they feel like restrictions at the time, and you chafe against them, they're helping you make decisions. They really are. If I know that deadline is there, then my creative process ramps up exponentially. (34:00) The result of making a billion dollar blockbuster: Suddenly his position at Warner Brothers went from solid to unassailable. (37:00) Stories can add to your own thinking but you need your own foundation to add them to first. (38:00) I know it's more fun when we're all together and we can do the thing together. That's why we keep it as a fam